![]() ![]() For those wanting to up-their-game on any one of these three research areas, the references are extensive.”- La Pintura “Southwestern archaeologists, especially those with particular familiarity with Hohokam prehistory, rock art scholars the world over, and archaeologists with a keen interest in prehistoric religion and research methods that elucidate these ancient practices will appreciate this work, and benefit from Wright’s intelligent treatment of what others have sometimes mistaken for a facile subject matter. Fowler Prize, deserves space on the bookshelf of every Southwestern archaeologist.”- KIVA: Journal of Southwestern Anthropology and History “A landmark production offering a dynamic new synthesis of the Hohokam as it establishes new strategies for future research integrating rock art with social, religious, and political processes.…Beautifully and clearly written, engaging the reader from start to finish, Religion on the Rocks, winner of the Don D. ![]() Reed, preservation archaeologist, Archaeology Southwest It provides a good case study for ritual practices in a context of social organization and will inform scholars in the broader anthropological and sociological realms.” -Paul F. This book goes beyond just archaeological interest. ![]() In addition, this work covers new ground and represents a real contribution to Hohokam archaeology. “His work provides one of the few recent pieces of research that integrates study of rock art into a sound anthropological approach and does not fall back on a simplistic notion of shamanism. Wilcox, adjunct professor of anthropology, Northern Arizona University, and senior research associate, Museum of Northern Arizona “Brings a scientific calculus to bear on the interpretation of Hohokam rock art that is far more sophisticated than any earlier attempts.” -David R. Readers will come away with a better understanding of the Hohokam legacy and a greater appreciation for rock art's value to anthropology. Wright’s examination of the South Mountains petroglyphs offers a novel narrative of how Hohokam villagers negotiated a concentration of politico-religious authority around platform mounds. Around AD 1100, however, petroglyph creation and other ritual practices began to wane, denoting a broad transformation of the Hohokam social world. The features and strategic placement of the rock art suggest this dimension of Hohokam ritual was participatory and prominent in village life. Synthesizing results from recent archaeological surveys, he explores how the mountains' petroglyphs were woven into the broader cultural landscape and argues that the petroglyphs are relics of a bygone ritual system in which people vied for prestige and power by controlling religious knowledge. To examine this question, Aaron Wright presents a case study from Arizona's South Mountains, an area once flanked by several densely populated Hohokam villages. ![]() Religion on the Rocks redirects our attention to the equally important matter of what compelled ancient peoples to craft rock art in the first place. We are nearly all intrigued by the petroglyphs and pictographs of the American Southwest, and we commonly ask what they “mean”. ![]()
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